Audiosphere Sound Experimentation 1980 – 2020. Part 45.
Sound exhibition excerpts @ Museo Nacional Centro De Arte Reina Sofia; Madrid; Spain.
Curator, production and realisation by Francisco López.
Head of exhibition: Teresa Velázquez.
Exhibition coordination by Rafael García and Natalia Guaza.
“ Audiosphere synthesizes the wide territory of the huge, delocalized, underground, and multiform universe of social experimental audio.”
Francisco López.
By way of a selection of hundreds of sound works, Audiosphere. Sound Experimentation 1980-2020 looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980’s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
01. Pedro Bericat. W. Churchill. 1:45.
02. Pedro Chambel. The Inglorious Search . 4:47.
03. Pedro Rebelo. Listen to Me #1 . 5:21.
04. Pelayo Arrizabalaga & Eli Gras. Eee/Aaaaaa . 4:14.
05. People Like Us (Vicki Bennett). Nothing. 3:33.
06. Peter Bosch & Simone Simons. Acuática. 5:55.
07. Peter Cusak. Lake Baikal ice flow splits underwater . 5:45.
08. Peter Duimelinks. Trivelogue. 4:56.
09. Pharmakustik (Siegmar Fricke). Umzug . 4:08.
10. Pheobe riley Law. interference of objects (east yorkshire # 2) . 3:13.
11. Philip Samartzis. Boleskine . 6:00.
12. Philip Sulidae. Quaint Cloudy And Metal . 5:43.
13. Robert Machiri. Durban incursions. 4:14.